A conjunction is a word that “joins”. A conjunction joins two parts of a sentence.
Here are some example conjunctions:
Coordinating Conjunctions Subordinating Conjunctions
and, but, or, nor, for, yet, so although, because, since, unless
We can consider conjunctions from three aspects.
Conjunctions have three basic forms:
• Single Word
for example: and, but, because, although
• Compound (often ending with as or that)
for example: provided that, as long as, in order that
• Correlative (surrounding an adverb or adjective)
for example: so…that
Conjunctions have two basic functions or “jobs”:
• Coordinating conjunctions are used to join two parts of a sentence that are
grammatically equal. The two parts may be single words or clauses, for example:
– Jack and Jill went up the hill.
– The water was warm, but I didn’t go swimming.
• Subordinating conjunctions are used to join a subordinate dependent clause to a
main clause, for example:
– I went swimming although it was cold.
• Coordinating conjunctions always come between the words or clauses that they join.
• Subordinating conjunctions usually come at the beginning of the subordinate clause.
Man was nowhere before he was born; but arrogantly chooses to believe he needs to be somewhere after he dies.
With the turn of the century, Nigeria as a country has bagged almost every conceivable literary prize that matters…save the Pulitzer. Nonetheless, these are only few who’ve escaped the bottleneck of a lacking book industry. Still, its book industry and appreciation of creative fiction is a charade. It’s no surprise why recognized authors at home are usually African’s in Diaspora with the help of their wealthy and effective power pushers, or is it mongers, but we thank God/god/nature/the universe (whichever you believe in) for the turn of the century.
Blessed are the LNG and the Lumina foundation trying to redress the current situation by giving writers & publishers a little reason to step into the fray. $100,000 and $20,000 is still too little make the changes necessary. I first they up the prize to $300,000, splitting an even hundred across the classes of literature (and the writers of course) for the prize or an even 20 for the Wole Soyinka award. Who seconds? We’re not asking for hands here, our forefathers having ruined it all. It’s the least they can do.
Nigerian fiction has a lot to offer creatively. New authors come up with ideas and creative writing style to please editors. Believe me, I read them everyday. Unfortunately for these authors, only a few editors are privy to review their works. And fewer publishers to publish them.
Why many of these authors think they can make foreign publishing houses by querying foreign agencies, puzzles me. Many foreign publishing houses (I having worked closely with one) prefer to take up local book authors/writers than their foreign counterparts. Same goes for the agencies. And why wouldn’t they? Aside from the fact that it’s far cheaper and wedges a hole in the communication gap thing? So, I ask you. Would you, if you knew your writers were equally as good?
Of what use is fighting against the system as basic as the rain. Every country for its industry. Every industry for its people. Every people for their country. The cycle is as simple as that, dummies! (dummies being a very loose word to fit). As long as resident Nigerian authors don’t figure this trend out, they continue to bask in their cloudy castles hoping for the rains to bring down an acceptance letter. Even more enticing—an advance? Huh?
Humph! The Nigerian Book Industry will always hinge on its parent the Nigerian Book Industry! No fruit goes bigger than its nursing tree, that’s for sure. Since that affects the average Nigerian writer, let me rephrase that, ‘Since the Nigerian book market is failing, the average Nigerian is left abandoned, and unexplored.’ Poor, if you’d prefer the term. We aren’t just loosing a reading culture. We are loosing a writing culture as well. The two feed off the same cord.
For more of these creative fictional works (and their authors) to be emphasized, Nigeria has to rework her book market. We need scores of awards? We need scores of publishers? We need scores of agencies and authors? Where is the red carpet, or ^&$&*’s sake?
Having worked on both sides of the coin(publishing that is), I see better. Self-publishing is highly scorned at by agencies not willing to sign resident Nigerians up (apart from the fact that no publisher who wants an author whom squanders his/her advance to tackle a visa to meet up your book signing. Unless, you would. If you were half-human). But, what more do you expect from Nigerians in general. It’s all they have.
None the less, without our own publishing houses and self-created agencies showcasing and appreciating our work, our industry will continue to linger at the bottom of the sea, not to be seen across our vast literary landscape. We kill ourselves here. Our country eats us alive. We eat what’s left of our writers raw. Don’t even get me started on the huge margins of 150 million people…We eat what’s left of our literary, day by day.
Enough bitching about the government and the publishing houses…everyone knows we impaled that gander already. To the writer’s involvement in this whole charade. Stop blowing hot air about how good you write. Get published and let the people decide how good it is!
No writer writes not to be read, silly. No matter who you are and what you write.
Ps. This is blog post. Not a manuscript. all you loose pair of eyes