the ABC’s on how to edit your work. Attempt a D.A.R.E review. A professional review for dummies and first time authors.

a D.A.R.E review is a primal form of a book review and simply means you Delete After Reading and Evaluating the manuscript (finished/unfinished).

The Review is done in three simple sweeps.

First SWEEP. The first sweep is the first read. During this sweep, it is paramount you get the general feel of the book.

DO NOT read for errors. DO NOT attempt to make any corrections during this sweep. Reading is all that is required.

Several Reviews have questionnaires attached to the review script to make it easier to sweep paragraphs, whole sections, and pages. If they are attached, answer them.

The basic questions that should be cruising through your mind during this sweep are:

Why you think this book/chapter/page/section will work/why it won’t work?

What makes it difficult to read/easy to read?

Is the story plausible/commendable/a sham?

IT IS IMPORTANT HERE TO NOTE: the fewer your words at this stage the more critical/direct/and unbiased your review will sound, which is constructive for the writer whose work is been reviewed, good or bad.

Second SWEEP. The second sweep is the second read. During this sweep, you are allowed to make changes following what software/editing tool you decide to use. You can also inculcate your own reading/editing strategy. You’re free to do as you wish. Read for syntax errors, spelling errors, and construction error; that is errors that you think rob a phrase or sentence of the intended or implied meaning.

The basic questions that should be cruising through your mind during this sweep are:

No one is that perfect, where are the bloody errors?!

Why can’t I understand a line? When and how did I get to this page?

What did he do wrong, why am I confused right about here?

IT IS IMPORTANT HERE TO NOTE: the more verbose/grandiose/explicit the words you use in this stage, the more constructive and easier it will be for the writer whose work is being reviewed to connect to your suggestions and the intended meaning of your review.

Last SWEEP. The third sweep is the final read. During this sweep you are allowed to read the story with your corrections to edit yourself and the reviewed writer. It is easier of the reviews and much simpler now. You are also allowed to check for disproportionate facts and figures, and changes in story content.

The basic questions that should be cruising through your mind during this sweep are:

Is he kidding? Did the writer just lie to me? But, the writer said a totally different name/number/subject/object/thing at the start of this episode?

I sound right/logical/funny/witty/smart/straight to the point/unbiased. What is making my review work?

On a scale of one to ten, do you think the featured author deserves to be a writer?

IT IS IMPORTANT HERE TO: SEND the Reviewed copy to its respectively Literary Agency and DELETE the document on your computer and in the recycle bin and the email through which it was sent immediately!!!

it is a standard practice, and the most valuable task you can do for the author.

THESE ARE THE BASIC RULES FOR A GOOD/GREAT REVIEW. THE ACT OF REVIEWING IS FUN, HILARIOUS, EXCITING AND A CHANCE TO REWRITE A MANUSCRIPT YOUR OWN WAY AND USUALLY ISN’T TEDIOUS. BOREDOM/TIREDNESS IN A REVIEW INDICATES ONLY ONE THING: THE WRITER DOESN’T DESERVE TO WRITE HENCE ISN’T WORTHY OF YOUR REVIEW. SAVE YOURSELF THE TROUBLE. THE WORK IS FAR FROM PERFECT/COMPLETE.

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New Age Creative Literature: The future of the Nigerian Book Industry | Tn Odu, Literary Agent, Phantom House Books, Nigeria

With the turn of the century, Nigeria as a country has bagged almost every conceivable literary prize that matters…save the Pulitzer. Nonetheless, these are only few who’ve escaped the bottleneck of a lacking book industry. Still, its book industry and appreciation of creative fiction is a charade. It’s no surprise why recognized authors at home are usually African’s in Diaspora with the help of their wealthy and effective power pushers, or is it mongers, but we thank God/god/nature/the universe (whichever you believe in) for the turn of the century.
Blessed are the LNG and the Lumina foundation trying to redress the current situation by giving writers & publishers a little reason to step into the fray. $100,000 and $20,000 is still too little make the changes necessary. I first they up the prize to $300,000, splitting an even hundred across the classes of literature (and the writers of course) for the prize or an even 20 for the Wole Soyinka award. Who seconds? We’re not asking for hands here, our forefathers having ruined it all. It’s the least they can do.
Nigerian fiction has a lot to offer creatively. New authors come up with ideas and creative writing style to please editors. Believe me, I read them everyday. Unfortunately for these authors, only a few editors are privy to review their works. And fewer publishers to publish them.
Why many of these authors think they can make foreign publishing houses by querying foreign agencies, puzzles me. Many foreign publishing houses (I having worked closely with one) prefer to take up local book authors/writers than their foreign counterparts. Same goes for the agencies. And why wouldn’t they? Aside from the fact that it’s far cheaper and wedges a hole in the communication gap thing? So, I ask you. Would you, if you knew your writers were equally as good?
Of what use is fighting against the system as basic as the rain. Every country for its industry. Every industry for its people. Every people for their country. The cycle is as simple as that, dummies! (dummies being a very loose word to fit). As long as resident Nigerian authors don’t figure this trend out, they continue to bask in their cloudy castles hoping for the rains to bring down an acceptance letter. Even more enticing—an advance? Huh?
Humph! The Nigerian Book Industry will always hinge on its parent the Nigerian Book Industry! No fruit goes bigger than its nursing tree, that’s for sure. Since that affects the average Nigerian writer, let me rephrase that, ‘Since the Nigerian book market is failing, the average Nigerian is left abandoned, and unexplored.’ Poor, if you’d prefer the term. We aren’t just loosing a reading culture. We are loosing a writing culture as well. The two feed off the same cord.
For more of these creative fictional works (and their authors) to be emphasized, Nigeria has to rework her book market. We need scores of awards? We need scores of publishers? We need scores of agencies and authors? Where is the red carpet, or ^&$&*’s sake?
Having worked on both sides of the coin(publishing that is), I see better. Self-publishing is highly scorned at by agencies not willing to sign resident Nigerians up (apart from the fact that no publisher who wants an author whom squanders his/her advance to tackle a visa to meet up your book signing. Unless, you would. If you were half-human). But, what more do you expect from Nigerians in general. It’s all they have.
None the less, without our own publishing houses and self-created agencies showcasing and appreciating our work, our industry will continue to linger at the bottom of the sea, not to be seen across our vast literary landscape. We kill ourselves here. Our country eats us alive. We eat what’s left of our writers raw. Don’t even get me started on the huge margins of 150 million people…We eat what’s left of our literary, day by day.
Enough bitching about the government and the publishing houses…everyone knows we impaled that gander already. To the writer’s involvement in this whole charade. Stop blowing hot air about how good you write. Get published and let the people decide how good it is!
No writer writes not to be read, silly. No matter who you are and what you write.
Ps. This is blog post. Not a manuscript. all you loose pair of eyes